This FAQ refers to classic Adcom products from the 80s and 90s, such as the GFA-565, GFA-535, GFA-545, and GFA-555, in MKI and MKII variations. It does not cover MOSFET amps like the GFA-5500, GFA-5800 or GFA-5802. Also, I have no experience with, or opinion on, currently produced Adcom products, or any official affiliation with the company. They seem nice though!
- My Adcom Amplifier makes a funny noise when I turn it on and off, is this normal?
- My Adcom amplifier makes a “POP” when I turn it on and off. Is this normal?
- WHY is there no speaker relay, or speaker protection circuit in Adcom amplifiers?
- Adcoms have no speaker protection circuit. Am I going to blow up my speakers?
- Are you ever going to offer a speaker protection board for Adcom amplifiers?
- My Adcom amplifier keeps playing music for a long time after I hit the power switch. Is that normal?
- How much DC offset is normal?
- Is my Adcom a “Mark 1” or “Mark 2”? (MKI or MKII)
- What’s the difference between the Mark I and Mark II? (GFA-535, 545 and 555)
- Where can I get fuses for Adcom amps?
- Bias Adjustment:
- Should I replace the power supply capacitors? If so, which ones to get?
- Which Adcom amplifiers have leaking capacitor issues?
- How can I tell if the capacitors in my GFA-565 or GFA-585 are the bad ones?
- Is my GFA-565 or GFA-585 safe to use?
- How can I tell if my GFA-565 or GFA-585 is healthy?
- I’m a beginner with enough experience to be dangerous with a soldering iron, and I’ve fixed computers before. Can I replace my own amplifier circuit board?
- What are the most common issues with the GFA-5×5?
- How will a Hoppe’s Brain input board or power supply improve the sound of my Adcom?
- Where can I learn more about audio electronics repair?
My Adcom Amplifier makes a funny noise when I turn it off, is this normal?
Yes. These classic Adcom amplifiers have no speaker switching relays, and your speakers remain connected, even after you’ve hit the power switch. As the power supply voltage slowly drains towards zero, there comes a point where the negative feedback collapses, things get all wobbly and the amp oscillates a bit. Not to worry, there isn’t enough energy left in the amplifier to damage your speakers. Some Adcoms do it, some don’t, and it is no indicator of the health of the amplifier.
The noise is usually a sort of “BWEEEEP!!” or “ClickClickClick” or “BUP BUP BUP”. Send me a recording of yours and I’ll put it here!
My Adcom amplifier makes a “POP” when I turn it on and off. Is this normal?
Yes. Again this is due to the fact there is no speaker relay, so your speakers are connected as you hit the power switch. It takes a moment for the amp to stabilize. You may notice your woofer push back and forth a bit. Both channels should behave similarly.
However: If you see your woofer cone make an alarmingly large movement, or if it pulls in or pushes outward and stays there, turn the amp off immediately and check for DC voltage on the amplifier’s output.
WHY is there no speaker relay, or speaker protection circuit in Adcom amplifiers?
- Signal purity and reliability. Speaker relays are notoriously troublesome in classic audio gear. Contact corrosion occurs over time.
You may have observed that AC power relays used in high-current applications are extremely reliable. This is because power relays are designed to intentionally spark and spot-weld themselves closed in normal operation. This tiny spot-weld has very low resistance. Speaker relays don’t benefit from this sparking and spot-welding action, as there is usually little to no power going through them when they are switched on.
- Cost. Adcom’s value proposition lies in using a small number of high-quality parts. Good speaker relays are expensive, and as mentioned, kinda crappy anyway. Side note: There are some really cool designs out there using MOSFETS as speaker switches and this is a very good idea.
Adcoms have no speaker protection circuit. Am I going to blow up my speakers?
These amps are 20-35 years old now. They do sometimes “go DC” and take speakers out with them.
However, these are super reliable amplifiers when they are properly maintained, and that is actually the best speaker protection there is. I’ve restored something like 200 Adcom amplifiers, and not a single one has blown out in the field.
Also, it’s not entirely accurate to say it has no speaker protection. It does have rail fuses, and these can save your speakers in many cases.
Are you ever going to offer a speaker protection board for Adcom amplifiers?
No, not really interested. There are plenty of boards out there that could be used.
My Adcom amplifier keeps playing music for a long time after I hit the power switch. Is that normal?
Yes. Again this is because there is no speaker protection relay, and so the speakers remain connected as the power supply capacitors slowly drain to zero.
How much DC offset is normal?
DC offset should be measured with the input shorted. (You can make a shorting plug from an old patch cord, just cut the wire about 1″ long and solder the wires together.)
- GFA-535, 545, 555 MKI. Normal from the factory is about 40mV. With a pair of carefully matched input transistors, such as the ones I sell, you can expect less than 20mV. If you see much more than 50mV the amplifier should be checked out.
- GFA-535, 545, 555 MKII, GFA-565, GFA-585
These amps contain DC servo circuits, and so DC offset should be very close to 0V, whether you have the inputs shorted or not. Normal range is less than 5mV, and it may slowly drift around a bit.
Is my Adcom a “Mark 1” or “Mark 2”? (MKI or MKII)
Mark II amplifiers are labeled “Model GFA-5×5 II” near the power switch. If there’s no “II” then it’s a Mark I.
What’s the difference between the Mark I and Mark II? (GFA-535, 545 and 555)
- MKI is DC-coupled, and the MKII has a capacitor inline with the input. I wouldn’t make too much of this difference. Both amps contain a capacitor in the input signal path. It’s just that the MKI puts the capacitor on the negative side of the long-tail-pair and the MKII puts it on the positive side, AKA the input.
- MKII contains a DC Servo circuit. An op-amp is used as a comparator. The DC offset from the amplifier’s output is fed into one leg of the comparator, and the other is referenced to signal ground. The comparator’s output is fed back into the input stage in order to nudge it one way or another to keep the amp’s offset close to 0V.
Note, this op-amp is not in the signal path. Each leg of the comparator is fed with an R-C network of 4.7Mohm into 0.1uF, and so has a time constant of about 0.3Hz, and so only operates below this frequency to push the DC offset around. There is no music signal at its output. Do not substitute this op-amp in hopes of better sound. The original LT1006 (Often marked Adcom 3A) is a fine choice, as is the functionally equivalent AD820. The LT1006 is cheaper, and there is no need to spend extra money on the higher-grade bins of this part, with the lowest input offsets. It makes no real difference in this application. You should end up with less than 1mV offset anyway.
- The MKI has a two-transistor darlington output stage, and the MKII has triple-darlington. The triple darlington output stage, having an extra gain stage, presents an easier load to the amp’s upstream stages. This has a number of design implications beyond the scope of this FAQ, but the often cited reason for its use in the MKII amplifiers, is better handling of low impedance loads. In practice, both MKI and MKII amps are fantastic with low impedance loads anyways. Some people prefer the MKI for its minimalism.
- MKII has a different output biasing scheme. There is a bias compensation transistor mounted to the output module heatsinks. The MKI’s bias has a positive thermal coefficient, whereas the MKII remains nearly constant. There may be other factors to recommend the original circuit.
- Larger power transformers in GFA-545 and GFA-555: The original GFA-555 had a 700VA, and the MKII appears to be around 800 to 850VA. I don’t know how much larger the 545 transformers is, but it’s physically larger and produces more power. If anyone has more solid data on this, let me know! The GFA-535’s power transformer remains the same size, but this is not a bad thing as it’s already delivering 90W while only promising 60W! The 535 MKII transformer does get some additional shielding.
- The GFA-555 MKII gets a canned and potted transformer, for low noise, and it is physically very quiet too. (Not that the original is loud, it’s not.)
- More power in GFA-545 and GFA-555 MKII: Here are some typical maximum power measurements I have taken for all six GFA-5×5 amplifier versions. This is all at 1KHz and <0.1%, both channels driven.
GFA-535 MKI @8Ω 90W (Yes really!)
GFA-535 MKII @8Ω 91W
GFA-535 MKI @4Ω 128W
GFA-535 MKII @4Ω 130W
GFA-545 MKI @8Ω 118W
GFA-545 MKII @8Ω 134W
GFA-545 MKI @4Ω 171W
GFA-545 MKII @4Ω 212W
GFA-555 MKI @8Ω 240W
GFA-555 MKII @8Ω 266W
GFA-555 MKI @4Ω 338W
GFA-555 MKII @4Ω 390W
- Nicer binding posts on the GFA-535 MKII. These crappy twist-lock terminals were replaced with standard binding posts.
I sell an adapter kit to replace these with nice binding posts.
- No “B Speaker” facility on the GFA-535 MKII. No speaker switches and associated lengths of wire. Just one set of binding posts.
- MKII gets nice “Tiffany style” RCA input jacks instead of plastic.
- Fuses and wiring in the GFA-555 MKI versus MKII: The GFA-555 MKI has its rail fuses on the inside, and you must remove the top cover to replace them. The MKII moves the fuses to the back panel. That sounds great, but… This has a negative impact on the power supply wiring. The MKII has much, much longer power wires, due to the requirement to break them out to the back panel.
In the MKI, 16ga power wires run straight from the main power supply capacitors to the output modules. The rail fuses are mounted directly to the output module. In total, there is about 28″ of 16ga power wire used to hook up all four output modules.
In the MKII, power wires run from the power supply capacitors, through about 10 inches of wire to the back panel fuse holders, then back out of the fuse holders through another 10 inches of wire to the output modules. That’s eight 10″ wires, for a total of 80″ of wire. The GFA-555 MKII contains 52 inches of extra power wire as compared to the MKI. All this extra wire adds inductance to the system, and significantly slows down the delivery of current from the power supply to the output modules and input board. This inductance is why the MKII adds 47µF local supply bypass capacitors to the output modules. This helps, but is not as good as having nice short power wires like the MKI. (Tip: install supply bypass caps on your MKI output modules.)
This is why the Hoppes Brain BFA-555 Smart Soft-Start power supply kit has optional onboard fuse holders. You can put the fuses back inside the amp and shorten your wires up like the MKI. It’s the best of both versions.
I reckon the reason for the change to back-panel fuse holders was to make it easier for people to change the fuses, while discouraging them from opening up their amplifiers. Also, sometimes a user will be unaware there are fuses inside, and think that their amplifier is totally dead, when it only needs a fuse. It’s pretty common to find Adcom amps being sold “For parts” when all they need is a fuse.
Where can I get fuses for Adcom amps?
They are Littelfuse 314 series, available at Mouser or Digikey and many others. They don’t have them at the hardware store. The part numbers are easy to decipher; for example a 6A fuse is part # 314006.MXP or 314006.HXP the “MXP” and “HXP” are just packaging options, get either one.
Do not use 32V DC automotive fuses. They are not the same in the way they melt and arc when they blow out. Obviously no aluminum foil or nails, LOL.
Test point confusion: Bias is adjusted by measuring the voltage, and thus current through the emitter resistors and transistors. Some of the Adcoms specify this voltage as read across one emitter resistor, and some as read across two emitter resistors in series, which means the bias voltage specified in the manual is double the voltage across a single emitter resistor.
Example: GFA-535 MKI has its test points across one emitter resistor.
And the GFA-555 MKII has its test points across two emitter resistors in series.
I recommend checking every individual emitter resistor and taking an average. Don’t bother with the test points. Connect the negative probe of your meter to the speaker output binding post, and then probe each emitter resistor. Beware of probe slippage! I’ve blown way too many expensive output transistors that way. Now I use these Fluke extended fine point tips, and it hasn’t happened since.
What I do is let the amp sit on the bench, with no clutter around it, with the cover on. From stone cold, I power-on and adjust bias to about 3/4 of the target value. This will climb as the amp warms up a bit. After 15 minutes or so, I’ll then re-adjust to spec. Then, put the cover back on and let it sit for about an hour to warm up. Check, adjust, check, adjust…. lather, rinse, and repeat as many times as needed.
You can also pre-heat the amp by running it into a dummy load.
What I’m looking for is that the bias hangs around the target, for hours, at room temperature with normal ventilation. The amp needs to come up to quiescent thermal equilibrium if it’s going to behave the same way in your audio rack. It takes a while to do it this way, but no big deal, I just let it sit on the bench and check it occasionally over the course of an evening.
Once adjusted properly, the heatsinks should feel just a little warm to the touch, about 100-105F. You can use an infrared thermometer to make sure both sides are approximately the same.
***Please just ignore test point pins on the circuit boards, they only cause confusion. Take your readings across the amp’s output binding post and each emitter resistor.
These specifications are for bias voltage across any single emitter resistor.
|Voltage across single|
runs with 0.47R
(Most common type
with 0.83R emitter
Not a complete list; these are the items I get asked about the most. If you are looking for a particular substitution, please search threads at diyaudio.com.
|Power switch||Carling RGSCC901-R-B-B-E||Mouser|
|LED (Deep red|
power or thermal
|LED (Yellow clip|
|TO-126 VAS and driver transistors||KSA1381/KSC3503||2SA1210/2SC2912||Digikey, Mouser, etc||For all TO-126 types on input boards of GFA-555 GFA-565/585. Not for use on GFA-565/585 output module. (Not enough current capability)|
|TO-220 Driver transistors||MJE15032G/MJE15033G||2SA1011/2SC2344|
|Digikey, Mouser, etc||Original drivers in GFA-555 MKI sometimes blow out due to insufficient VCE|
|TO-3 Output Transistors||MJ21193G/MJ21194G||2SB554/2SD424||Digikey, Mouser, etc|
|TO-3P Output transistors||NJW3281G/NJW1302G||2SD1047/2SB817|
|Digikey, Mouser, etc||Also good for middle transistor in GFA-555 II and GFA-565/585 triple-darlington output stage.|
|TO-92 input transistors||KSC1845||2SC2362|
|Digikey, Mouser, etc||I sell precisely matched pairs of KSC1845 here.|
|Fuses||See fuse FAQ here.|
|Power supply Capacitors||See notes below||See notes below:|
|RCA Input Jacks||Rean NYS367-0 (black) & NYS367-2(red)||Mouser|
Should I replace the power supply capacitors? If so, which ones to get?
Actually, you probably don’t need to replace them, but it’s OK if you want to.
Large power supply filter capacitors in Class AB audio amplifiers are actually extremely reliable, due to the relatively low stress they are under. A class AB amp consumes very little power at idle, and on average, spends most of its life operating at relatively low power, and thus low ripple current, across these very large, very high-ripple-current-rated power supply capacitors.
So these capacitors are basically breezing along most of the time. Many are still working fine after 40 years or more!
This is not so much the case with a class A amplifiers, or with modern high bias current FET amplifiers. The space heater amplifiers. ;^) Those caps are under much more stress and should be scrutinized a bit more closely.
If your goal is maximum possible lifespan without a need for maintenance, then yeah go for new capacitors. I usually do. However if you want to save a little money, you can keep the originals if they are still good, and spend your money on more important things.
The consequences of a power supply capacitor going out, are usually not so bad anyway. It doesn’t usually result in a damaging DC current at the speakers. Sometimes a hum will develop as an early warning and it should be checked out immediately. If the power supply starts to go all ripple-ey and lop-sided, it can develop a DC bias that can damage woofers.
How to do a basic test of your power supply capacitors: This test shows at least that your capacitors have something like the capacitance they’re supposed to, which is a fairly good but not definitive check on their health..
Basically, we’re going to watch how long it takes for them to drain down to zero volts.
Pull all four rail fuses out. Disconnect the power LED, it draws current from just one of the capacitors and will cause that one to drain faster. Now that the amp is disconnected from its power supply, the only thing draining the capacitors, is the drain resistors. If all four caps are the same, they should drain at approximately the same rate. Switch the power off and observe. It helps to have two volt-meters.
A better test: Get yourself an ESR meter like the DER EE DC5000. Fantastic tool for $125 or something.
Another good test: Drive the amp into a dummy load and observe the ripple waveforms across each capacitor with an oscilloscope. You can also use a true RMS voltmeter, or the one in your scope, to measure AC ripple under load.
Choosing capacitors for the GFA-555 MKI or MKII:
Without a soft-start, your maximum capacitance is limited by the power switch. I wouldn’t go over 4×22,000uF, and that’s already pushing more than OEM. If you do, buy some extra power switches and keep them around. It is possible to install an up-rated power switch if you are willing to enlarge the hole in the aluminum front panel. The original switch contains two sets of 16A contacts in parallel, and there are 20A or better rated switches out there. I don’t have a suggestion on a particular switch.
In the 15,000µF category, if you want to go easy on the switch… Unfortunately all the 15,000µF caps in this category are a smaller diameter than the original caps. They are all 2″ diameter instead of 2.5″ like OEM, so if you get new ones, you’ll also need to install new capacitor clamps. The Nichicon LNR series LNR2A153MSE comes with the clamps, and has an excellent track record, I’ve used many.
Around 22,000µF I recommend the Kemet ALS series ALS31A223MF100
It fits in the original capacitor clamps.
If you are installing a Hoppe’s Brain BFA-555 Smart Soft-Start, or really any soft-start board, I recommend the Kemet ALS series ALS70A363MF100 36,000µF! That’s well past the point of diminishing returns IMO. Excellent quality caps and they look bad-ass. (Shown wearing Hoppe’s Brain Capacitor Hats.)
Which Adcom amplifiers have leaking capacitor issues?
Don’t believe the rumors that all Adcoms have capacitor problems. It’s only the GFA-565 and GFA-585. Other models only have rare capacitor failures, like anything else. Actually, there are relatively few electrolytic capacitors in the GFA-5×5 product line… fewer to go wrong than most designs. The GFA-535, 545 and 555 MKI contain only six electrolytic capacitors in total! MKII’s only have a few more.
How can I tell if the capacitors in my GFA-565 or GFA-585 are the bad ones?
If your amp has little brown mini-marshmallow-sized Elna “Long-Life” capacitors in it, then there is a 100% chance they are bad. Elna is a good capacitor brand, but they had a bad formulation with these, and they have all since leaked.
Is my GFA-565 or GFA-585 safe to use?
Unless it’s been properly fixed, no! All of these amps are at risk of DC voltage appearing at the speaker terminals. So many speakers have been fried. :^(
Properly fixing it is no easy task. The leaked capacitor electrolyte actually soaks into the fiberglass of the circuit board, and causes it to become ever so slightly conductive. Unfortunately, this just happens to occur in the same area of the board that contains all the high-impedance input circuitry, and so it is very sensitive to any stray currents. The input section develops a DC bias, and this is amplified and causes a large DC voltage to appear at the output.
It’s possible to fix the original board, with varying degrees of success. Many techs will attempt to clean the board, and sometimes this works, sometimes not. Often, an amp that appears to be fixed will develop problems down the road, as the electrolyte continues to dissolve and spread throughout the fiberglass substrate.
The best way to fix an original board is to “fly” all the high-impedance traces and component leads above the board. “Dead-bug” the input pins of the op-amp servo.
The best solution of all, is of course, a whole new board. I sell the plain boards so you can build one yourself, or fully assembled and tested.
How can I tell if my GFA-565 or GFA-585 is healthy?
Fortunately, the DC servo provides a pretty good diagnostic indicator of the health of your amp. When a GFA-565/585 is sick, it will have an imbalance somewhere. The GFA-565/585 is a fully symmetrical design, imagine there is a mirror sitting at 0V. You should see similar but opposite polarity readings at every point in the circuit, from the PNP side to the NPN side. Of course, transistors aren’t perfect, so some imbalance is to be expected. The Hfe curves of PNP and NPN transistors do not match very closely. That’s what the DC servo is for. Whatever inherent imbalance exists in the amp, is nulled by the servo.
So the amount of correction the servo needs to apply is a good indicator of the amplifier’s balance. The more out-of-whack it is, the more the servo will push out voltage in an attempt to correct it. The servo has a +/- 13.8V power supply, and so its maximum output will be close to +/- 13.8V.
If you see something close to +/- 13.8V on the output of your servo, (Pin 6) you have a problem! The servo is trying as hard as it can to correct some imbalance and failing. Normal range is -6V to +6V.
Also, a correctly operating GFA-565/585 will show less than 5mVDC on the output terminals. Anything more indicates a problem. For example, you might see 100mV on the output. While this isn’t dangerous to your speakers, it means the amp is failing to fully compensate the DC offset.
I’m a beginner with enough experience to be dangerous with a soldering iron, and I’ve fixed computers before. Can I replace my own amplifier circuit board?
Maybe. Unlike computer repair, amplifier repair is rarely as simple as a board swap. You should have plenty of experience troubleshooting and repairing audio amplifiers.
Very often a bad input board will also fry your output section, so the output section should always be thoroughly checked before installing a new input board, or the input board may be smoked again. This is not warrantied.
Definitely do not attempt a GFA-565 or GFA-585 as your first amplifier repair. These are complicated amps which confound experts at times.
What are the most common issues with the GFA-5×5?
Generally speaking, the Adcom GFA-535, 545 and 555, both MKI and MKII versions, are extremely reliable amplifiers. The GFA-565 is extremely reliable once properly repaired.
Contrary to popular belief, Adcoms are not prone to capacitor problems, except for the GFA-565/585.
I have a 1986-ish GFA-555 MKI that I got for free from a bar that was renovating. It sat on a shelf behind the bar for about 10 years, covered in greasy dust, driving a hodgepodge of various speakers scattered around the bar, …like 6 pairs of speakers all hooked in parallel with super long wires. It was rusty inside. It still worked perfectly. I cleaned it up, touched up some solder joints and ran it as a subwoofer amplifier for 10 more years. Now I’ve fully restored it and it powers the bass drivers in my active speaker setup. This is not an unusual story, these things are tough.
Common issues, in no particular order.
- GFA-555 MKI output driver transistors sometimes pop short and make the amp go DC to rail. These have just barely sufficient VCE ratings. The GFA-555 will swing nearly 170V rail-to-rail, and the 2SA1011 transistors are only rated at 160V. Some say they were testing and sorting transistors at the factory, binning by VCE, and putting the higher-voltage ones in the GFA-555, and the lower ones in the GFA-545. This is not Adcom being cheap! Back in the day, there really was a narrow selection of transistors with good Ft, low capacitance and high-power dissipation all at the same time. A larger die has more capacitance. They didn’t have the luxury of devices like the MJE15032/33 Which is my recommendation for replacement, and every 555 MKI should really have this done.
- Speaking of transistors, if you have the original Toshiba 2SD424 and 2SB554 output transistors, and they still work, keep them! They’re really excellent, and new ones aren’t really much better.
- Power switches on GFA-555 MKI and MKII sometimes weld themselves shut, permanently on. The 555 has a pretty huge power supply with a massive inrush current; it’s a 700-850VA transformer going into 4×15,000uF, which is right up against the limit of the surge capability of the switch, which uses two sets of 16A rated contacts in parallel.
Fortunately this switch is still made, and it’s cheap as chips, so pick one up the next time you put in a parts order. Carling RGSCC901-R-B-B-E available at Mouser and others. (No affiliation)
Ahem, product plug, you can just get one of my soft-start power supplies and it’s a non-issue. And you can install larger power supply capacitors; the sky’s the limit as long as they fit in the case.
- GFA-555 MKI & MKII Cracked solder joints on TO-126 VAS and driver transistors from overheating. Fix; Attach small heatsinks. Hoppe’s Brain input boards feature board-mounted heatsinks for these transistors.
- GFA-555 MKI & MKII Blown or shorted VAS or driver transistors, due to overheat. You might notice the board is browned in this area.
- GFA-535 MKI & MKII Bridge rectifiers sometimes overheat and blow out if the amp is driven hard for an extended time. They’re not heatsinked like those on the GFA-545 and 555. My power supply supply boards move the bridges to the floor of the chassis for heatsinking.
- GFA-555 MKII bias compensation transistor cables sometimes corrode, especially in humid environments. Corrosion is exacerbated by heat from TO-126 transistors nearby. This can cause DC to appear at the output, as it throws the bias spreader circuit out of whack. Replacement board header is JST B3B-XH-A(LF)(SN), plug housing XHP-3, and pins SXH-001T-P0.6
These are a pain to solder, so my circuit boards come with a set of these cables, even if you’re just buying a plain unpopulated board.
- GFA-555 MKII, GFA-565/585 Output module local supply bypass capacitors. These will be either 47µF or 100µF. Some amps came with rather small, mini-marshmallow size capacitors here, 100V usually, and these are under a good deal of stress and they sometimes leak. No worries, a little stray electrolyte is not a big deal on the output modules; everything is low-impedance and the goo doesn’t get onto any signal traces, just power. Clean it well and replace them.
Some amps came with larger 160V rated Panasonic caps, and these are usually OK. I replace them anyway.
I like Panasonic EE 100uF/160 volt EEU-EE2C101, 10,000 hour rated at maximum ripple. Yeah, they’ll be fine.
- Somewhat rare issue: Some very early production GFA-555’s from 1985-86 used 80V rated power supply capacitors. The power supply runs at 83V! They may be branded TOWA or “Capacitor Technology” and have blue shrink wrap and solder tab terminals on them, to which the ground bus wire is soldered. It’s a good quality capacitor, but they slowly leak and dry up being run over-voltage like this.
- GFA-565 capacitor leakage. Sadly this problem was no fault of Adcom’s, but it didn’t do their image any good. But it does make GFA-565’s dirt cheap to acquire, and a new board makes these amps a bargain for those willing to take on the project.
How will a Hoppe’s Brain input board or power supply improve the sound of my Adcom?
I don’t make a lot of wild claims about the sound of my mods. For one thing, these amps sounded great when they were new! But I have never been able to actually compare a fully working, brand new Adcom against one of my refurbished ones. They come to my bench full of tired old components, so the chance to compare is lost—it is not operating as new anyway.
Many people describe the sound of a properly refurbished Adcom GFA-5X5 as “clean” or “effortless”. They clip gracefully, no rail sticking, oscillating or overshooting. They drive difficult loads easily; even the smallest version, the GFA-535. The Adcoms are not “tube-like”. They are accurate bipolar transistor amps.
I’ve come to believe that the most critical factors for good sound in these amps are…
- The input transistors must be well-matched. They vary wildly from the factory.
- The driver transistors on the 555 MK1, besides being the number one failure mode of that model, (it’s still extremely reliable overall) are reputed to cause harsh sound, and that makes some sense from an electrical standpoint as well. New ones are better in number of parameters.
- A Hoppe’s Brain input board. Two layers, wider, shorter traces, plated through-holes, a ground-plane pour, integrated heatsinks. Better signal integrity, less inductance and impedance all-around.
- Local Supply Bypass Capacitors installed on the input board. (All Hoppe’s Brain boards have this feature.)
- Local Supply Bypass Capacitors installed on the output modules of GFA-555 MK1.
- Fuses moved from the back panel of GFA-555 MK2 to the inside of the amp, for much shorter power supply wiring. The Hoppe’s Brain Soft-Start power supply offers the option to move fuses internally.
- Last, and least. New capacitors. Audio-grade types for signal paths, high-endurance, high-frequency power supply types for power supply stuff. Polypropylenes replace Polyesters in some signal paths. C0G ceramics or silver-mica for output section compensation caps.
Above all, the way to a good sounding amplifier, is taking the time to do it right. Good sound is a culmination of many small details.
Where can I learn more about audio electronics repair?
Not affiliated with anyone listed here, not being paid or anything, but I recommend, in no particular order…
- Books and technical bulletins. The Art of Electronics. Anything Jim Williams. Anything Walt Jung.
- Fran Blanche, Franlab! So much cool vintage electronics! Fran’s guitar effects pedals are legendary.
- John Audio Tech on YouTube.
- Mr. Carlson’s Lab on YouTube. Mr. Carlson has a gift for teaching, and apparently infinite patience to do a job right. His lab is wall-to-wall packed with the coolest vintage test gear you’ve ever seen.
- Rod Elliot. Check out his “Troubleshooting and Repair Guide”.
- XRayTonyB on YouTube. Super deep dives into cool vintage audio electronics projects, and explorations of some rarely discussed electronics theory. Tony did a 3-part series on his repair of an Adcom GFA-585 using my circuit boards! It’s a must-watch if you’re doing a GFA-565/585 repair. (Again, no affiliation, he bought boards from me like anyone else.) His videos are unhurried, and long, but in a good way! Because you’ll definitely learn a lot, and you’ll know it well.
- Dave Jones, EEVblog. Goes without saying. Entertaining, curious and full of great advice, tutorials, tear-downs, etc. I’ve learned so much about PCB layout from Dave’s videos.
- CuriousMarc. The Apollo guidance computer restoration project, is a tour de force of nerditude. Also if you have a “thing” for HP test equipment, this one’s for you.